Another drawing for ‘Gin Lane’, dubiously attributed to Hogarth, is in the Huntington Art Gallery, Huth Collection. No.III is, according to Paulson, the fourth state of the engraving. Published in: Elizabeth Einberg and Judy Egerton, The Age of Hogarth: British Painters Born 1675-1709, Tate Gallery Collections, II, London 1988
Beer Street, by contrast, is the heaven to Gin Lane’s hell. Set in Westminster, where trades and crafts are seen to thrive, rather than St Giles where the poverty-stricken residents are feckless
39 rows · Gin Lane was both designed and engraved by William Hogarth. This original engraving and …
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Hogarth produced Beer Street and Gin Lane in 1740, when he was already well established as an artist. Part of his second wave of ‘morality paintings’ the set was created to highlight the problems related to the consumption of gin which affected a large part of London society at the time.
Hogarth engraved Beer Street to show a happy city drinking the ‘good’ beverage, English beer, in contrast to Gin Lane, in which the effects of drinking gin are shown – as a more potent liquor, gin caused more problems for society.
William Hogarth’s infamous 1751 cartoon Gin Lane, the the classic print that brought home the debilitating effects of the gin crisis in London, has now been reimagined for the 21st century.
“Gin Lane” was created as part of a pair; its lesser-known counterpart is “Beer Street”. By juxtaposing the two, Hogarth was illustrating the difference, as seen by contemporaries, between gin
Death by drinking: William Hogarth’s Gin Lane In this nightmare vision of a central London street, drawn in 1751, Hogarth condemns the craze for gin by depicting the poor drinking themselves to death
Hogarth, rather preoccupied with morality, became so concerned about how much the masses were drinking that he created the engravings ‘Gin Lane’ and ‘Beer Street’ in 1751 as part of a government campaign to restrict the sale of gin – while ‘Beer Street’ was a place of industry, happiness and hard work, ‘Gin Lane’ was a den of
Gin Lane Description A scene of urban desolation with gin-crazed Londoners, notably a woman who lets her child fall to its death and an emaciated ballad-seller; in the background is the tower of St George’s Bloomsbury; in this state, the child’s face has been changed so that the face is wizened and the eyes sunken. 1751 Etching and engraving
Gin Lane is one of a pair of engravings by Hogarth, the other, ‘Beer Street’, is in stark contrast. In this picture the church rises above all and a drooping pawnbroker’s sign is below the level of the royal standard flying from the spire to mark the king’s birthday.
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“Beer Street And Gin Lane Gin Lane From The Original Design By Hogarth From The Works Of Hogarth Published London 1833 Canvas Art – Ken Welsh Design Pics x” “Views of London 1750 – 1850 : William Hogarth.
“William Hogarth – Gin Lane painted in 1751 in New York using Rococo style shows the misery that the people in poverty go through.” “William Hogarth, “Gin Lane”, 1750 (image from Wikimedia Commons)” “‘El callejón de la ginebra’, grabado de William Hogarth.” See more.