Rogier van der Weyden, original name Rogier de la Pasture, (born 1399/1400, Tournai [Belgium]—died June 18, 1464, Brussels), Northern Renaissance painter who, with the possible exception of Jan van Eyck, was the most influential northern European artist of his time.
Today, Rogier van der Weyden is regarded as one of the pre-eminent painters of the Early Netherlandish style, lauded for his introduction of masterfully subtle emotions. He enjoys a place in art history books alongside more well-known painters like Jan van …
Rogier van der Weyden was one of the most profound and influential painters of the 15th century. He was internationally famed for the naturalism of his detail and his expressive pathos. He created a range of types – for portraits and for religious subjects – which were repeated throughout the
Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də(n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits.
Weyden, Rogier van der (1399/1400 – 1464). The leading Netherlandish painter of the mid-15th century. In spite of his contemporary celebrity (his work was appreciated in Italy as well as north of the Alps), his reputation later faded, and there is little secure knowledge about his career.
González Mozo, Ana, The new IRRS of The ‘Descent from the Cross in the Prado’ En:, Rogier van der Weyden in context. Seventeenth Symposium for the study of underdrawing and technology in painting. Seventeenth Symposium for the study of underdrawing and technology in painting.
Rogier van der Weyden produced Portrait of a Lady (c. 1460) while he was working at the court of Philip the Good, Duke of Burgundy, at the end of his career, from about 1450 until his death in 1464.